My work highlights the impression of memories and experiences that have been consumed.
Using colors in many ways is trying too hard, and the domestic materials lead the work to have
an underlying feeling of melancholy. I use feminine materials to provide a common ground
between the viewer's sense of home and the sterile environment of contemporary art, showcasing
the cognitive relationships which arise through remembrance. I construct my work through a
cyclical pattern that utilizes a visual language that references the structural aesthetics of my
My studio practice critically references the material associations of gendered ‘hobby’ processes, such as sewing and fibers, in relation to historically significant 'fine art' methods such as direct observation oil painting. I work in these materials that have the agency to further the existing dialogue on the inherent gender binary of craft. Hand-sewing and other crafting techniques are presented in conjunction with painting to examine colored, organic forms that exist in unity.